Contents 2004:
April 4 April 11 April 18 April 25 May 2
May 16 May 23 May 30 June 6 June 13
June 20  June 27      
Sermons
2003   2004   2005   2006   2007   2008

June 27, 2004

Freedom is something that people think they have.  Freedom might even be something in the name of which they/we go out and conquer other people. . . .  Freedom is very different from liberation.  Liberation as a term is really meaningful either when we do not have freedom or when we have just gained it.  Freedom is like manna in the wilderness.  It does not keep easily.  It spoils quickly.  You cannot put it in the refrigerator and call it freedom, because freedom has to be won again and again.  And that very insight is better expressed by the word LIBERATION.

It is striking to hear Paul say that for freedom Christ has liberated us – and see to it that we carry on the liberation, “. . . stand fast therefore, and do not submit again to a yoke of slavery.” (Gal. 5:1) . . . Judgment is the moment in which God liberates – but God can only liberate those who need liberation.

Krister Stendahl,
Paul Among Jews and Gentiles

 

. . . An infant gazes at some birds,

and for a moment it all balances there,

 

unblinking, calm, until the slightest feather

of snow, knocked free by a breeze, drifts toward

the ground, past curtains hospitably patterned

in red-and-blue chintz pineapples: mute glitter,

 

crystal fusillade.  He will have nowhere

to lay his head, no matter how he builds,

no matter how he watches where unnumbered

small creatures have their being in the weather.

from Karl Kirchwey,
 “He Considers the Birds of the Air”

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June 20, 2004

. . . So, friends, every day do something / that won’t compute.  Love the Lord.

Love the world.  Work for nothing. / Take all that you have and be poor.

Love someone who does not deserve it. / Denounce the government and embrace

the flag.  Hope to live in that free / republic for which it stands.

Give your approval to all you cannot / Understand.  Praise ignorance, for what man

has not encountered he has not destroyed. / Ask the questions that have no answers.

Invest in the millennium.  Plant sequoias. / Say that your main crop is the forest

that you did not plant, / that you will not live to harvest.

Say that the leaves are harvested / when they have rotted into the mold.

Call that profit.  Prophesy such returns. / Put your faith in the two inches of humus

that will build under the trees / every thousand years.

Listen to the carrion – put your ear / close, and hear the faint chattering

of the songs that are to come. / Expect the end of the world.  Laugh.

Laughter is immeasurable.  Be joyful / though you have considered all the facts.

So long as women do not go cheap / for power, please women more than men.

Ask yourself: Will this satisfy / a woman satisfied to bear a child?

Will this disturb the sleep / of a woman near to giving birth/

Go with your love to the fields. / Lie easy in the shade.  Rest your head

in her lap.  Swear allegiance / to what is nighest your thoughts.

As soon as the generals and the politicos / can predict the motions of your mind,

lose it.  Leave it as a sign / to mark the false trail, the way

you didn’t go.  Be like the fox / who makes more tracks than necessary,

some in the wrong direction. / Practice resurrection.

 Wendell Berry,

for “Father’s Day – Celebration of masculine stewardship

within the Earth community,”

from Earth Prayers   

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June 13, 2004

"RED POWER"

As the flame of a fire has three qualities, so there is one God in three Persons. How? A flame is made up of brilliant light and red power and fiery heat. It has brilliant light that it may shine, and red power that it may endure, and fiery heat that it may burn. Therefore, by the brilliant light understand the Father, who with paternal love opens his brightness to his faithful; and by the red power, which is in the flame that it might be strong, understand the Son, who took on a body born from a virgin, in which his divine powers were shown; and by the fiery heat understand the Holy Spirit, who burns ardently in the minds of the faithful.

Hildegard of Bingen

 

My name is Nadia Jensen and I have an idea for a quiet revolution. . . . When Norway was occupied by Germany in 1940, Norwegian women began to knit RED caps for children as a way of letting everyone know they did not like what was happening in their country, that they didn’t like having their freedom taken away.. . . Similarly, in Denmark women knit red-white-and-blue caps (colors of the Allies) for the very same reason.

Whenever Norwegians and Danes left their homes – to go to the store, to work, to school, etc., -- they could see that the majority opposed what was going on in their country. Both countries organized effective Resistance efforts and changed history. Everything began simply by wearing red!

. . . . Wear a little or a lot – just be sure when you leave your home to go about . . . wherever you go in your daily routine – that everyone will see you are wearing red because you believe in freedom. . . . Between now and Election Day, ask everyone you know to wear red for "Freedom Fridays!"

submitted by Ruth Moore Stacy

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June 6, 2004

Reading the gospels, we do not set aside our Trinitarian faith, which proposes that God’s actions seen in the death and resurrection of Christ are made manifest through the Spirit in the life of the church. . . . Because God has been revealed as triune, the church does not stop with a Christological interpretation of the Bible. Rather, Christianity encounters a triune God, a God who in Christ continues to create, save, and nurture the world through the Spirit. The Spirit is manifest in this earth, undoubtedly in many more places than we are aware, but at least, we believe, in the church.

A Trinitarian interpretation will always attend to the Spirit of God in the community. The biblical image offers us a picture of God’s mercy, or God’s justice, or God’s very being. The divine image, Christians believe, is also an image for Christ. And although some preachers conclude their thinking with that step, it is likely that the image can also be a picture of the life of the Spirit in the church. Since for Christians the biblical images continue to accrue meaning, an ancient Israelite image can serve Christians as a proclamation of the Trinity. The burning bush can function as an image of the mysterious God, of the cross that both destroys and purifies, and of the tongues of fire on the disciples’ heads. The church is Trinitarian, and so it receives all biblical revelation as of the triune God.

Gail Ramshaw, Treasures Old and New

 

God showed me a little thing, the size of a hazelnut, lying in the palm of my hand. It was round as any ball, as it seemed to me. I looked at it with the eyes of my understanding and thought, "What can this be?" My question was answered in general terms in this fashion: "It is everything that is made." I marveled at how this could be, for it seemed that it might suddenly fall into nothingness, it was so small.

An answer for this was given to my understanding: "It lasts, and ever shall last, because God loves it. And in this fashion all things have their being by the grace of God." In this little thing, I saw three properties. The first is that God made it. The second it that God loves it. The third is that God keeps it. And what did I see in this? Truly, the Maker, the Lover, and the Keeper.

Julian of Norwich, Revelations of Divine Love

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May 30, 2004

from "Red: Passion and Patience in the Desert"

by Terry Tempest Williams

 

"I write to create red in a world that often appears black and white."

(from Interview with Joseph Chilton Pearce: ". . . twenty years ago a child or young person was able to differentiate 360 shades of red, and today that’s down to something like 30 shades, which means subtleties are lost to the pure, heavy impact of red.")

"Where I live, the open space of desire is red. The desert before me is rose is pink is scarlet is magenta is salmon.. .. The palette of erosion is red, is running red water, red river, my own blood flowing downriver; my desire is red."

I want to learn how to speak the language of red.

"Red cries out for the body; open the body and it bleeds. "There is danger with red. Red is rage is hot, is too hot to touch,.. To see red is to see destruction.

"But to see red over time is to understand its capacity to transform. White horses in our valley eventually turn red. "The redrock desert of southern Utah teaches me over and over again: red endures."

"’Red is the most joyful and dreadful thing in the physical universe,’ G. K. Chesterton writes. ‘It is the fiercest note, the highest light.’"

"Red sits on top of the rainbow."

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May 23, 2004

“Jesus Is ‘UP’ to Us!”

To get to God, one goes up.  When God speaks, the voice descends from the upper world to humankind in the middle layer.  The same cosmology stands behind the narrative of Jesus’ baptism. . . . The ascension narratives bring this imagery into prominence in Christian speech.  The theological assertions of faith are that Christ went to God and so resumed the place of the divine, and that believers will at their end go to God.  Luke relates this truth by the narrative of the ascension in which the three-tiered universe figures. . . . Jesus must go up to be with God.  In the heavens is God’s throne, where from God’s right hand Christ will reign as a kind of prime minister. . . .

We must be able to interpret the cosmic map for its contemporary meaning.  The language of Christ ascending to God is a metaphoric way to describe the apostolic belief that Jesus did not end his life and destiny in the grave, but rather rose (note again the metaphor of up) to be with God. The good news is that Christians are not pretending to accept an ancient cosmology, but are affirming their faith that in Christ we too will conquer death. . . . Contemporary practice stresses the unity of the fifty days of Easter culminating in Pentecost, rather than a focus on the Lucan distinction between the 40th and 50th day.

Gail Ramshaw, Treasures Old and New 

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May 16, 2004

The water felt warm at first, then cooler farther out where the bottom started to slip away. I felt a slow panic begin to move in me, starting at my knees, then filling my chest . . . . I looked back toward the bank and saw Freda watching me.

"I’ll hold my breath," I called out, asking for reassurance.

"I think you should," she called back.

I went down slowly, the thin cotton of my t-shirt turning wet against my breasts.

I stayed down as long as I could, my cheeks puffed out like a guppy’s, feeling the current pushing between my outspread legs, my toes gripping the firm river bottom. I felt like a reed in some underwater wind, not sure what I was doing. The water was cool and heavy with the current, and I imagined it was as deep as outer space. I spread my arms out the way the preacher had done, and a thought came into my head so loud and clear my eyes opened in the dark water.

 

 

"Help me," it said, over and over, first deep, then high, then meek as a child’s plea. "Help me." My mouth opened in surprise and I tasted the rich blood of the water choking me; and the voice grew louder. . . .

"You baptized yet?" Freda called from the cottonwoods as I walked slowly from the river, falling to the red clay bank, exhausted. I raised my arm and waved my hand once, a signal, yes, . . .

Lorian Hemingway, "Baptism"

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May 2, 2004


Eternal and everlasting God, Source of all happiness,

we praise you for making known our Shepherd and our Defender.

Grant that as we cast away all fear and terror of

death, we may embrace and confess your truth revealed in your Son,

our sovereign Master, Christ Jesus.  Amen

 

●    ●    ●    ●    ●    ●
 

Daily Prayer

The 23rd Psalm

 

The Lord is my Shepherd, I have all I need,

She makes me lie down in green meadows,

Beside the still waters, She will lead.

 

She restores my soul, She rights my wrongs,

She leads me in a path of good things,

And fills my heart with songs.

Even though I walk, through a dark and dreary land,

There is nothing that can shake me,

I’m in her hand.

 

She sets a table before me, in the presence of my foes

She anoints my head with oil,

And my cup overflows.

 

Surely, surely goodness and kindness will follow me,

all the days of my life,

And I will live in her house,

forever, forever and ever.

 

Glory be to our Mother, and Daughter

And to the Holy of Holies,

As it was in the beginning, is now and ever shall be

World, without end.  Amen.

 

Dedicated to my Mother

Bobby McFerrin

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April 25, 2004 

And now we will count to twelve

and we will all keep still . . .

For once on the face of the earth

let’s not speak in any language,

let’s stop for one second,

and not move our arms so much.

It would be such an exotic moment

without rush, without engines,

we would all be together

in a sudden strangeness.

Fishermen in the cold sea

would not harm whales

and the man gathering salt

would look at his hurt hands.

Those who prepare green wars,

wars with gas, wars with fire,

victory with no survivors,

would put on clean clothes

and walk about with their brothers

in the shade, doing nothing.

What I want should not be confused

with total inactivity.

(Life is what it is about;

I want no truck with death.)

If we were not so singleminded

about keeping our lives moving,

and for once could do nothing,

perhaps a huge silence

might interrupt this sadness

of never understanding ourselves

and of threatening ourselves with death.

Perhaps the earth can teach us

as when everything seems dead

and later proves to be alive.

Now I’ll count up to twelve,

and you keep quiet and I will go

Pablo Neruda

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April 18, 2004

"Drum Major for a Dream"

Above the shouts and the shots,

The roaring flame and the siren’s blare,

Listen for the stilled voice of the man

Who is no longer there.

 

Above the tramping of the endless line

Of marchers along the street,

Listen for the silent step

Of the dead man’s invisible feet.

 

Lock doors, put troops at the gate,

Guard the legislative halls,

But tremble when the dead man comes,

Whose spirit walks through walls.

Edith Lovejoy Pierce

 

My joy is like spring, so warm it makes

flowers bloom in all walks of life.

My pain is like a river of tears, so full it

fills up the four oceans.

Thich Nhat Hanh

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April 11, 2004

"Riding the River, and Keeping Up with All Those Jesuses!"

 

To me that is the excitement of a rise: the unexpectedness, always, of the change it makes. What was difficult becomes easy. What was easy becomes difficult. By water, what was distant becomes near. By land, what was near becomes distant. At the waterline, when a rise was on, the world is changing. There is an irresistible sense of adventure in the difference. Once the river is out of its banks, a vertical few inches of rise may widen the surface by many feet over the bottomland. A sizable lagoon will appear in the middle of a cornfield. A drain in a pasture will become a canal. Stands of beech and oak will take on the look of a cypress swamp. There is something Venetian about it. There is a strange excitement in going in a boat where one would ordinarily go on foot – or where, ordinarily, birds would be flying. And so the first excitement of our trip was that little path; where it might go in a time of low water was unimaginable. Now it went down to the river.

Because of the offset in the shore at the creek mouth, there was a large eddy turning in the river where we put in, and we began our drift downstream by drifting upstream. We went up inside the row of shore trees, whose tops now waved in the current, until we found an opening among the branches, and then turned out along the channel. The current took us. We were still settling ourselves as if in preparation, but our starting place was already diminishing behind us.

There was something ominously like life in that. One would always like to settle oneself, get braced, say "Now I am going to begin" – and then begin. But as the necessary quiet seems about to descend, a hand is felt at one’s back, shoving. And that is the way with the river when a current is running: once the connection with the shore is broken, the journey has begun . . . .

Wendell Berry, "River Rising,"

from Pamela Michaels, edt., The Gift of Rivers

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April 4, 2004

This Iraq will go to the end of the graveyard

It will bury its citizens in open country

Generation after generation

And will forgive its executioner.

Iraq, as was known, will never come back

And the larks will never sing

So go on – if you wish – for a long time

Beseech – if you wish – all the angels

All the demons of this universe

Beseech the bulls of Assyria,

A soaring Phoenix,

Beseech them all

And, through the smoke of nightmares,

Wait for the censer’s miracle
 

-- Sa’di Yusuf, Iraqi Poet in Western Exile

 

Our Lent began with Willis Barnstone invoking Jesus as poet and teacher!  There is poetry all through Jesus’ life and work, as Willis sets down so well, and especially in the last week of his life, a poetry of “palms and passion,” with no power against all the “powers that be” save for the power to capture imagination!  To fall into the soil of our minds and hearts, our bodies and souls, and die, says John 12, as a single seed in order to bring forth much fruit, as we, following him, come alive to our own nonviolent, resilient, persistent powers to capture imagination in the persons and relationships, circles and communities, worlds and ways of life all around us!  Beginning today, Jesus so perfectly plans this week with poetry of word and deed – entry into the city on a donkey, -- confrontation with money-changers at the temple, -- return each night to base camp in Bethany with trusted friends, -- parabolic debate each day with officials of both church and state, -- faith-freshening interpretations of scriptures, current, and future events,--  scrupulous preparations for Passover with his disciples, -- revolutionary breaking of bread and sharing of cup, -- prayer in the garden, ignored, interrupted, -- betrayals, denials, abandonments, trials through the night, -- cocks and cloaks, crosses and crowns, -- surely the most re-membered week since the first one in all of Creation . . . .

We have been reading in this space each week poems of “Iraqi Poets in Western Exile.”  Iraq is but one of those desert/deserted places where the poetry of “palms and passions” passes on to this day.  It has been said of the desert poets, they “are people of theatre in a tradition that was until recent times without actors or playwrights.  The poets stand alone on stage with only the wellsprings of their own souls of memory, imagination, and skill to draw on, and the audience’s hunger and applause to prompt them.  They live and die on the big stage by what they can raise up in their people’s hearts beyond their personal points of view.”

  • Salih Altoma, “Iraqi Poets in Western Exile,” World Literature Today, Oct-Dec 2003

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